Tuesday, 27 March 2012

A History of Advertising



Lecture 10   01/02/2012

A History of Advertising

Theme-
·       Integration of art & technology
·       ‘an area of art history neglected … where art and technology meet’ (Elton, 1968, pvii)

The beginning by Wight
·       Advertising, The Most Fun You Can Have With Your Clothes On! (R4, 2009)
·       Robin Wight (WCRS)118 118 & The future’s bright, the future’s orange.
·       William Hesketh Lever, (1851-1925) Lever Bros
·       Bill Bernbach (1911-1982) (DDB) first to combine copywriters and art directors

Sunlight, Lux to Lynx
·       Lever Brothers founders James Darcy & William Hesketh Lever (1885).
·       Today Unilever, 900 brands Ben & Jerry’s, Bertoli, Bird’s Eye, Brooke Bond, Comfort , Lux, Persil, Sunsilk, Sunlight, Surf, Dove.
·       Ubiquitous brand, part of the average consumers ‘mental furniture’                                            (Lewis, p57)

·       Most expensive real estate is the corners of somebody's mind (Hegarty, 2009)
First British Tycoon- To build a gallery and open it up for the public. Port Sunlight 19c village commissioned by William Hesketh Lever to house his soap factory workers. Centre; Lady Lever. 

1851 Great Exhibition- ‘Colour printing on a larger scale was not practiced until well into the nineteenth century…with the publications generated by the Great Exhibition of 1851’ (Elton, 1968, p70), Photos & 3D technology.
Advertising an essential- 'An essential component of any competitive market economy: driving growth and dynamism' (Hegarty, 2011, p7)

Pre-packaging (Lewis, 2008)
·       Kelloggs
·       1860s cereal companies figured out how to print, fold & fill cardboard boxes mechanically.
·       John & William Kellogg

·       Lush
·       Soap was sold in long bars to grocers, who  stamped (with stamp of  maker) and sliced up.

The first tablet of soap
·       ‘I was the first to advertise extensively [and pre-package] a tablet of soap...the result was I lifted Sunlight soap to a class by itself’ (Lever in Lewis, 2008, p62)
·       Added brand value through advertising.

Boom
·       Advertising boom aided by abolishment of taxes on newspapers 1855 & paper in 1861
·       Press (newspapers) owes much to advertising
·       News of the world ended when advertisers pulled.

A second boom
·       Technological progress reproduction & colour printing, pictorial ads in magazines 1880s
·       By 1890s technology enabled contemporary paintings to be reproduced
·       Sunlight Soap Ad (1890s) www.advertisingarchives.co.uk

Lever’s context…
·       (b1851) Height of the Empire. International trade routes established
·       International exhibition. Prompted large-scale colour printing.
·       Ad boom fuelled by tax reliefs in 1850s & 60s.
·       Pre-packaging technology 1860s
·       Co. founder Lever Bros
·       1880s colour images and reproductions in magazines.
·       1890s reproduction of paintings possible.

First Multinational
·       Advertising transformed company from a local soap manufacturer in 1885 to one of the world's first multinationals
·       Largest corporation in Britain by 1930.
‘Colourful, innovative advertising was crucial to Lever’s success’  (Port Sunlight Museum, 2009)

Contemporary art
·       The soap men’s extensive use of contemporary paintings in their advertising is a case in point. (Lewis, 2008, p65)
·       Used in Sunlight soap ad with copy ‘So Clean’
·       Copyright (Lever)
·       White linen (sign)
·       Child (sign)

As good as new – emotive
·       Bride (peasant) trying wedding dress.
·       Leverhulme used for an advertisement poster 1889, As good as new
·       Implies dress worn by brides mother, passing down beauty secrets.
·       Emotional strategy enhanced by naturalism of Newlyn school (Cornwall)

First Creative Advertising
·       Selecting and presenting contemporary art works (RA) communicated more powerfully a desired message.
·       Message was told in an interesting and innovative way.
·       Imagery provided a spectacle and entertainment.
·       By adding simple endlines, Lever managed to change the meaning of images to his advantage.
·       Distinct from other advertising that had gone before.
·       Encouraged consumers to collect vouchers and save for prints of the ads.
Entertainment- ‘One of our clients is Unilever who produce Axe, a product targeted at young males…The brand is about confidence – the one ingredient most teenagers need help with’ (Hegarty, 2011)
‘Advertising, from the moment it was born, was trying to entertain us’ (Hegarty, 2011, p9)

The First Creative Agencies
·       Cracknell (2011) late 19c advertising agencies sold space in newspapers commission/negotiations.
·       Client created content. Changed with publications (US) Rowell American Newspaper dictionary (UK) followed– fixed rates to clients.
·       Agencies started to offer creative services 20c model

First global campaigns
·       Medicine, chocolate and soap manufacturers
·       Sunlight Soap among the first products to feature in a global ad campaign.
Product placement soap replace clock & cup brand loyalty

Innovative events
·       Lever Bros. Switzerland F. H. Lavanchy -Clarke
·       Opening of new offices, organised a washing competition Lake Geneva,1889.
·       2 x steamers, washer women, sunlight soap, large crowds and a banquet.
Wrapper promos
·       1890s Sunlight soap magazine ad www.advertisingarchives.co.uk
·       1903 began a wrapper scheme, offering soap in return
·       1904 offer a gramophone + records for 750 wrappers & rolled gold watch for 4,000 (Port Sunlight Museum, 2009)

Capture the children
·       One method beloved of advertisers ...was to capture the children. In 1890s, purchases of sunlight soap received free paper dolls with interchangeable outfits’ (Lewis, 2008, p67)
·       Schemes for Lifebuoy soap coupons for encyclopaedias.

Target mothers
·       Directed at mothers ensuring a lifetime of brand loyalty
·       Associations

Investing in Advertising
·       Lever spent £2m first two decades of making soap.
·       1899 Lever purchased a Philadelphia soap firm – owner Sidney Gross became a director.
·       ‘Gross was expert at picking the right artist for advertisements’ (Lewis, 2008,p69)

Art Direction
·       Gross suggested plantol should depict tropical climates & express the care that is exercised in refining oils.
·       A vision to disguise the forced slavery?
·       Palm oil was one of the main ingredients (pure vegetable soap).

First Worldwide ECD
·       Collaborative creativity
·       Lever employed  (international) expertise
·       Overseer of advertising
·       Constantly researching & studying the art form
·       Sent examples of (American) adverts across the company (colour magazine) creating discussion.
·       Journals, web blogs & Cop

First ambient
·       Innovative spaces, doors left open at stations.
·       Choosey, where advertised, avoided left-wing newspapers.

Ad Expertise
·       Lever amassed and was among innovators of advertising expertise
·       Advocated truth in advertising is an asset; falsehood in advertising is a liability. Lewis (2008)

Salvation with Sunlight
·       Many of his early ads emphasised that Sunlight soap would save women from drudgery' (Lewis, 2008, p74)
·       Answer: washing day toil, solution; Sunlight soap.
·       Copy: a girl of 12 or 13 can do a large wash without being tired.
·       Ease a repeated theme

Targeting audiences
·       Copy in Sunlight soap ads spoke directly to working-class housewives.
·       Salvation of Sunlight, improves their life, leaving quality-time for romance.
·       Sunlight Almanac (annually) 1895-1900)
·       Woman’s World 470p illustrated book
·       High-feeling/emotive strategy
·       Lewis (2008)

World domination
·       20c Lever used different international agencies.
·       Domestic and imperial markets Britishness suited all.
·       Royal connections, national and imperial imagery
·       Context of thousands of ads trading on Britannia

Imperial Mission (Lewis)

·       To civilize
·       No commodity aided more this than soap.
·       Wash and clothe the native and cleanse the great unwashed of British working classes.
·       In Britain advertising posters, packaging brought to a wide audience the notion of imperialism as benign  (Lewis, 2008, p79)

·       Empire was celebrated on biscuits, cigarettes, soap, chocolate: part of the working class fabric.
The successful global campaign- Lever’s achievement, ‘to convince people all over the world that they did not just want this product, they needed it’ (Port Sunlight Museum, 2009)

How?

·       Victorians conquered the world & problem of corporeal aromas.
·       Sanitary achievements drains, sewage & soap.
·       Advertisers made it their business to persuade  consumers of their hygiene problems.

Psychology of Advertising
·       Advertisers, more than any other group of people, made hay with new understandings of human psychology in the twentieth century (Lewis, 2008, p81)
·       The Psychology of Advertising (1908) US, Walter Dill Scott
·       Edward Berneys, nephew of Freud Propaganda (1928)
·       Discrepancy theory – widespread

Discrepancy theory
·       Discrepancy between self & ideal image of self.
·       Publics leisure practices, bathing habits etc. were inferior to those depicted.
·       Lever Bros Lux ads by mid 20s said to preserve ‘soft, youthful lovely feminine hands’ + celebrity endorsement
·       ‘nine out of ten screen stars care for their skin with Lux soap’ (Lewis, 2008)

Soap & aesthetics
·       P & G promotions: held sculpture event at gallery for children.
·       Berneys wrote about it as a fine example, harnessing psychological motives, aesthetic, competitive maternal exhibitionist
·       Strategy informed by sound psychology and enlightened self-interest (Lewis, 2008, p84)

Unilever Series
·       Sponsor annual contemporary artist, Turbine hall Tate Modern
·       Oct 11 -  March 2012
·       FILM is an 11-minute silent 35mm film projected onto a gigantic white monolith standing 13m.
·       First work in series devoted to the moving image, and celebrates analogue film-making.
Critics of Admass

·       Boom in consumption
·       Highly criticised in interwar years ‘countless critics on the left – appalled by products of capitalism and mechanisation.

Admass Advocates
·       Economic liberals, celebrated unfettered agency of the consuming individual.
·       Good trade relations between countries reduces conflict.
·       Capitalism, commerce and consumption improves well being of population (Lewis, 2008).

Role of Advertising
·       Fundamentals of honest business, will continue to advance humanity to brotherhood…honesty in advertising …is a cardinal principle in your country and in mine…the advertiser…is building for those who follow after him. It should be the same with nations’
·       Leverhulme NY (1923)

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