Lecture 10
01/02/2012
A History of Advertising
Theme-
·
Integration of art &
technology
·
‘an area of art history neglected
… where art and technology meet’ (Elton, 1968, pvii)
The beginning by Wight
·
Advertising, The Most Fun You Can
Have With Your Clothes On! (R4, 2009)
·
Robin Wight (WCRS)118 118 &
The future’s bright, the future’s orange.
·
William Hesketh Lever,
(1851-1925) Lever Bros
·
Bill Bernbach (1911-1982) (DDB)
first to combine copywriters and art directors
Sunlight, Lux to Lynx
·
Lever Brothers founders James
Darcy & William Hesketh Lever (1885).
·
Today Unilever, 900 brands Ben
& Jerry’s, Bertoli, Bird’s Eye, Brooke Bond, Comfort , Lux, Persil,
Sunsilk, Sunlight, Surf, Dove.
·
Ubiquitous brand, part of the
average consumers ‘mental furniture’
(Lewis, p57)
·
Most expensive real estate is the
corners of somebody's mind (Hegarty, 2009)
First British Tycoon- To build a gallery and
open it up for the public. Port Sunlight 19c village commissioned by William
Hesketh Lever to house his soap factory workers. Centre; Lady Lever.
1851 Great Exhibition- ‘Colour printing on a
larger scale was not practiced until well into the nineteenth century…with the
publications generated by the Great Exhibition of 1851’ (Elton, 1968, p70), Photos
& 3D technology.
Advertising an essential- 'An essential
component of any competitive market economy: driving growth and dynamism'
(Hegarty, 2011, p7)
Pre-packaging (Lewis, 2008)
·
Kelloggs
·
1860s cereal companies figured
out how to print, fold & fill cardboard boxes mechanically.
·
John & William Kellogg
·
Lush
·
Soap was sold in long bars to
grocers, who stamped (with stamp of maker) and sliced up.
The first tablet of soap
·
‘I was the first to advertise
extensively [and pre-package] a tablet of soap...the result was I lifted
Sunlight soap to a class by itself’ (Lever in Lewis, 2008, p62)
·
Added brand value through
advertising.
Boom
·
Advertising boom aided by
abolishment of taxes on newspapers 1855 & paper in 1861
·
Press (newspapers) owes much to
advertising
·
News of the world ended when
advertisers pulled.
A second boom
·
Technological progress
reproduction & colour printing, pictorial ads in magazines 1880s
·
By 1890s technology enabled
contemporary paintings to be reproduced
·
Sunlight Soap Ad (1890s) www.advertisingarchives.co.uk
Lever’s context…
·
(b1851) Height of the Empire.
International trade routes established
·
International exhibition.
Prompted large-scale colour printing.
·
Ad boom fuelled by tax reliefs in
1850s & 60s.
·
Pre-packaging technology 1860s
·
Co. founder Lever Bros
·
1880s colour images and reproductions
in magazines.
·
1890s reproduction of paintings
possible.
First Multinational
·
Advertising transformed company
from a local soap manufacturer in 1885 to one of the world's first
multinationals
·
Largest corporation in Britain by
1930.
‘Colourful, innovative advertising was
crucial to Lever’s success’ (Port
Sunlight Museum, 2009)
Contemporary art
·
The soap men’s extensive use of
contemporary paintings in their advertising is a case in point. (Lewis, 2008,
p65)
·
Used in Sunlight soap ad with
copy ‘So Clean’
·
Copyright (Lever)
·
White linen (sign)
·
Child (sign)
As good as new – emotive
·
Bride (peasant) trying wedding
dress.
·
Leverhulme used for an
advertisement poster 1889, As good as new
·
Implies dress worn by brides
mother, passing down beauty secrets.
·
Emotional strategy enhanced by
naturalism of Newlyn school (Cornwall)
First Creative Advertising
·
Selecting and presenting
contemporary art works (RA) communicated more powerfully a desired message.
·
Message was told in an
interesting and innovative way.
·
Imagery provided a spectacle and
entertainment.
·
By adding simple endlines, Lever
managed to change the meaning of images to his advantage.
·
Distinct from other advertising
that had gone before.
·
Encouraged consumers to collect
vouchers and save for prints of the ads.
Entertainment- ‘One of our clients is
Unilever who produce Axe, a product targeted at young males…The brand is about
confidence – the one ingredient most teenagers need help with’ (Hegarty, 2011)
‘Advertising, from the moment it was born,
was trying to entertain us’ (Hegarty, 2011, p9)
The First Creative Agencies
·
Cracknell (2011) late 19c
advertising agencies sold space in newspapers commission/negotiations.
·
Client created content. Changed
with publications (US) Rowell American Newspaper dictionary (UK) followed–
fixed rates to clients.
·
Agencies started to offer
creative services 20c model
First global campaigns
·
Medicine, chocolate and soap
manufacturers
·
Sunlight Soap among the first
products to feature in a global ad campaign.
Product placement soap replace clock &
cup brand loyalty
Innovative events
·
Lever Bros. Switzerland F. H.
Lavanchy -Clarke
·
Opening of new offices, organised
a washing competition Lake Geneva,1889.
·
2 x steamers, washer women,
sunlight soap, large crowds and a banquet.
Wrapper promos
·
1890s Sunlight soap magazine ad
www.advertisingarchives.co.uk
·
1903 began a wrapper scheme,
offering soap in return
·
1904 offer a gramophone + records
for 750 wrappers & rolled gold watch for 4,000 (Port Sunlight Museum, 2009)
Capture the children
·
One method beloved of advertisers
...was to capture the children. In 1890s, purchases of sunlight soap received
free paper dolls with interchangeable outfits’ (Lewis, 2008, p67)
·
Schemes for Lifebuoy soap coupons
for encyclopaedias.
Target mothers
·
Directed at mothers ensuring a
lifetime of brand loyalty
·
Associations
Investing in Advertising
·
Lever spent £2m first two decades
of making soap.
·
1899 Lever purchased a
Philadelphia soap firm – owner Sidney Gross became a director.
·
‘Gross was expert at picking the
right artist for advertisements’ (Lewis, 2008,p69)
Art Direction
·
Gross suggested plantol should
depict tropical climates & express the care that is exercised in refining
oils.
·
A vision to disguise the forced
slavery?
·
Palm oil was one of the main
ingredients (pure vegetable soap).
First Worldwide ECD
·
Collaborative creativity
·
Lever employed (international) expertise
· Overseer of advertising
·
Constantly researching &
studying the art form
·
Sent examples of (American)
adverts across the company (colour magazine) creating discussion.
·
Journals, web blogs & Cop
First ambient
·
Innovative spaces, doors left
open at stations.
·
Choosey, where advertised,
avoided left-wing newspapers.
Ad Expertise
·
Lever amassed and was among
innovators of advertising expertise
·
Advocated truth in advertising is
an asset; falsehood in advertising is a liability. Lewis (2008)
Salvation with Sunlight
·
Many of his early ads emphasised
that Sunlight soap would save women from drudgery' (Lewis, 2008, p74)
·
Answer: washing day toil,
solution; Sunlight soap.
·
Copy: a girl of 12 or 13 can do a
large wash without being tired.
·
Ease a repeated theme
Targeting audiences
·
Copy in Sunlight soap ads spoke
directly to working-class housewives.
·
Salvation of Sunlight, improves
their life, leaving quality-time for romance.
·
Sunlight Almanac (annually)
1895-1900)
·
Woman’s World 470p illustrated
book
·
High-feeling/emotive strategy
·
Lewis (2008)
World domination
·
20c Lever used different
international agencies.
·
Domestic and imperial markets
Britishness suited all.
·
Royal connections, national and
imperial imagery
·
Context of thousands of ads
trading on Britannia
Imperial Mission (Lewis)
·
To civilize
·
No commodity aided more this than
soap.
·
Wash and clothe the native and
cleanse the great unwashed of British working classes.
·
In Britain advertising posters,
packaging brought to a wide audience the notion of imperialism as benign (Lewis, 2008, p79)
·
Empire was celebrated on
biscuits, cigarettes, soap, chocolate: part of the working class fabric.
The successful global campaign- Lever’s
achievement, ‘to convince people all over the world that they did not just want
this product, they needed it’ (Port Sunlight Museum, 2009)
How?
·
Victorians conquered the world
& problem of corporeal aromas.
·
Sanitary achievements drains,
sewage & soap.
·
Advertisers made it their
business to persuade consumers of their
hygiene problems.
Psychology of Advertising
·
Advertisers, more than any other
group of people, made hay with new understandings of human psychology in the
twentieth century (Lewis, 2008, p81)
·
The Psychology of Advertising
(1908) US, Walter Dill Scott
·
Edward Berneys, nephew of Freud
Propaganda (1928)
·
Discrepancy theory – widespread
Discrepancy theory
·
Discrepancy between self &
ideal image of self.
·
Publics leisure practices,
bathing habits etc. were inferior to those depicted.
·
Lever Bros Lux ads by mid 20s
said to preserve ‘soft, youthful lovely feminine hands’ + celebrity endorsement
·
‘nine out of ten screen stars
care for their skin with Lux soap’ (Lewis, 2008)
Soap & aesthetics
·
P & G promotions: held
sculpture event at gallery for children.
·
Berneys wrote about it as a fine
example, harnessing psychological motives, aesthetic, competitive maternal
exhibitionist
·
Strategy informed by sound
psychology and enlightened self-interest (Lewis, 2008, p84)
Unilever Series
·
Sponsor annual contemporary
artist, Turbine hall Tate Modern
·
Oct 11 - March 2012
·
FILM is an 11-minute silent 35mm
film projected onto a gigantic white monolith standing 13m.
·
First work in series devoted to
the moving image, and celebrates analogue film-making.
Critics of Admass
·
Boom in consumption
·
Highly criticised in interwar
years ‘countless critics on the left – appalled by products of capitalism and
mechanisation.
Admass Advocates
·
Economic liberals, celebrated
unfettered agency of the consuming individual.
·
Good trade relations between
countries reduces conflict.
·
Capitalism, commerce and
consumption improves well being of population (Lewis, 2008).
Role of Advertising
·
Fundamentals of honest business,
will continue to advance humanity to brotherhood…honesty in advertising …is a
cardinal principle in your country and in mine…the advertiser…is building for
those who follow after him. It should be the same with nations’
·
Leverhulme NY (1923)
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