Thursday, 25 October 2012

The Gaze & The Media COP


Lecture 2 – 18/10/2012

The gaze and the media

‘according to usage and conventions…. ‘


evidence of womens body being looked had, going back to nude painting of hans memling ‘vanity’. Womans face reflecting in the mirror is rendered wrong. Strange distorted view of her face.  Mirror placed in her hand as a distracting device.

Image 2, focul point is inbetween the knees, were lead to imagine shes thinking ‘how do I look’

Lectuer on depicting woman and how do they look

Alexander cabanel ‘birth of venus’ 1863
Mythological painting, of woman as a goddess of the sea. Sendimental and virginal picturing of the woman
Interesting position of the man, reclining on a wave. Covers her own eyes and face with her hands – quite often used in advertising and photography

Sophie dahl for opium – reclining figure, ¾ of picture taken up by the naked body
More contempory than the paintings
The advert was deemed too sexual
Image was turned when published because it too emphasis off the body and concentrated more on the face

Titian’s Venus of Urbino 1538
Very casual, not active positioning for the hand

Manet – Olympia 1863
Hand is assertive, refers her to a prostitute, flower in the hair, neck tie, exquisite cloth, being offered flowers, position of her body and the way she looks at us (head positions for example) she lifts it as shes addressing us.

Ingres ‘le grand odalisque’ 1814
Made into a poster

Manet – bar art the folies bergeres 1882
Woman standing with arms open, perception is us standing infront of the bar, with her behind it waiting to serve us. We see her from 2 positions

Jeff wall ‘picture for women’ 1979

Rosling coward 1984
The camera in comtemporary media has been put to use as an extension of the male gaze at woman on the streets
This kind of idea that’s repeated in billboard insudtry – used so much that it now goes unnoticed. It’s in the subconscious, acceptable.
Use of sunglasses means the figure, the woman cant look back at us. Instead of the hand from years ago, the eyes are now covered by a fashion accessory, glasses.

Eva herzigova, 1994
‘hello boys’

Rosling Coward 1984
The profusion of images which characterizes contemporary society could be seen as an obsessive distancing of women, a form of voyeurism
Peeping tom, 1960 – extension of idea of where voyeurism can go.


Im in your movies …

Marilym: William travilas dress from the seven year itch 1955

Cinema is a perfect environment for voyeurism (the practice of obtaining sexual gratification by looking at sexual objects or acts, especially secretively.)




Artemisia Gentileschi Judith beheading Holofernes

Cindy Sherman ‘ entitled film still #6 1977-79
Includes mirror in her hand, but facing the other way
Caught her in the act is not quite clear
Leave audience not quite sure where to look at
Theres an awkwardness in the picture with her hand by her chin
Know it Sherman in the image
Effective position as in we don’t know what to think of the image

Barbara Kurger ‘your gaze hits the side of my face’ 1981

Sarah lucas ‘eating my banana’ 1990
Self conscious
self portrait with fried eggs 1996

tracy emin – money photo 2001

gaze in media

Amanda knox trial
Amanda knox is a witch? Sorry, are we living in 1486? – joanne smith, guardian 2011
Knox/sollecito case
Social networking is used to preputuate the male gaze/the gaze of the media
The body is broken into gragments coud be female
Plays on teenagers bodys image

Susan Sontag 1979 –on photography

Paparazzi shot of princess Diana

Reality TV

Appears to offer us the position as the all seeing eye the power of gaze
Allows us a voyeuristic passive consumption of a type of reality
Editing means that there is no reality
Contestants are aware of their representation (either as tv professionals or as people who have watched the show)

The Truman Show 1988 director Peter Weir
Discovers his life is actually a stage set and everything that happens is a staged event.

Big brother, it’s the male and female bodys we look at
Voyeurism therefore becomes everyday
People offer themselves as a passive experience

Looking is not indifferent. There can never be any question of ‘just looking’

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